Northern mantis kung fu and Southern mantis kung fu
Source: wikipedia
Northern Praying Mantis is a style of Chinese martial arts, sometimes called Shandong Praying Mantis after its province of origin. It was created by Wang Lang and was named after the praying mantis, an insect, the aggressiveness of which inspired the style. One Mantis legend places the creation of the style in the Song Dynasty when Wang Lang was supposedly one of 18 masters gathered by the Abbot Fu Ju, a legendary persona of the historical Abbot Fu Yu (1203-1275), to improve Shaolin martial arts. However, most legends place Wang Lang in the late Ming Dynasty.
The mantis is a long and narrow predatory insect. While heavily armoured, it is not built to withstand forces from perpendicular directions. Consequently, its fighting style involves the use of whip-like/circular motions to deflect direct attacks, which it follows up with precise attacks to the opponent's vital spots. These traits have been subsumed into the Northern Praying Mantis style, under the rubric of "removing something" (blocking to create a gap) and "adding something" (rapid attack).
One of the most distinctive features of Northern Praying Mantis is the "praying mantis hook": a hook made of one to three fingers directing force in a whip-like manner. The hook may be used to divert force (blocking) or to attack critical spots (eyes or acupuncture points). These are particularly useful in combination, for example using the force imparted from a block to power an attack. So if the enemy punches with the right hand, a Northern Praying Mantis practitioner might hook outwards with the left hand (shifting the body to the left) and use the turning force to attack the enemy's neck with a right hook. Alternately, he/she might divert downwards with the left hook and rebound with the left wrist stump to jaw/nose/throat.
Northern Praying Mantis is especially famous for its speed and continuous attacks. Another prominent feature of the style is its complex footwork, borrowed from Monkey Kung Fu.
Origins
There are many legends surrounding the creation of Northern Praying Mantis boxing. One legend attributes the creation of Mantis fist to the Song Dynasty when Abbot Fu Ju , a legendary persona of the historical Abbot Fu Yu (1203-1275), supposedly invited Wang Lang and seventeen other masters to come and improve the martial arts of Shaolin.The Abbot recorded all of the techniques in a manual called the Mishou and later passed it onto the Taoist priest Shen Xiao. This manual supposedly disappeared until the Qianlong reign era when it was published under the name "Arhat exercising merit short strike illustrated manuscript" .Some sources place the folk manuscript's publication on the "sixteenth day of the third month of the spring of 1794".The manual records Wang Lang "absorbed and equalized all previous techniques" learned from the 17 other masters.
A third of the masters listed all come from fictional novels. Yan Qing (#7) and Lin Chong (#13) come from the Water Margin and Emperor Taizu (#1), Han Tong (#2), Zhang En (#3) and Huai De (#11) come from the Fei Long Quan Zhuan , which was published prior to the aforementioned manual.
Another legend connected to the Song Dynasty states Wang Lang participated in a Lei tai contest in the capital city of Kaifeng and was defeated by General Han Tong, the founder of Tongbeiquan. After leaving the fighting arena, he saw a brave praying mantis attacking the wheels of oncoming carts with its "broadsword-like" arms, Mantis fist was born shortly thereafter.However, most legends place Wang Ming living in the late Ming Dynasty.
Film
In The Tricky Master (1999), Stephen Chow's apprentice beats an overweight card sharp in a "fixed" high-stakes poker game. When taunted, the card sharp jumps onto the playing table and defeats Chow's deaf, cross-dressing bodyguard with a "long lost kung fu" called "Fat Mantis", which is the "most powerful...and kills without blood." (Note the card sharp’s shadow cast upon the wall in the shape of an overweight mantis with a big round belly.) In the end, Stephen Chow sprays the card sharp with a can of insecticide. He falls to the ground dead with his hands and legs held into the air like a bug.
In The Forbidden Kingdom (2008), the "Silent Monk" (Jet Li) employs mantis fist in his battle over the Monkey King's magical staff with Lu Yan, the "Drunken Immortal" (Jackie Chan). But his Mantis boxing is shortly thereafter overpowered by Lu's Tiger boxing.
In the animated movie Kung Fu Panda, one of the six kung fu students is an actual praying mantis who uses Northern Praying Mantis kung fu.
Television
In Hung Hei-Gun: Decisive Battle With Praying Mantis Fists(a.k.a. The Kung Fu Master, 1994), Donnie Yen plays the titular role of legendary martial arts hero Hung Hei-Gun. After being beaten up as a Child, Hung's parents send him away to study Kung Fu. He returns eight years later to find his father (who is secretly an anti-Manchu rebel leader) working as the military arms instructor for the Qing government, much to the chagrin of the local villagers. Despite his years of training, a rakish manchu Prince easily overpowers Hung with the mantis style. After the supposed death of his father, Hung faces the prince once more. When the prince shoots poisonous arrows from his sleeves, Hung twirls his staff to collect the projectiles and then flings them back. The Prince dies from his own poison arrows.
Books
Mantis is about a half-Vietnamese serial killer who murders erotic dancers because he believes his pet praying mantis tells him to do so (which is quite similar the real life case involving the "Son of Sam"). He uses this style of fighting utilizing his fingers to attack the neck veins and the eyes.
Video Games
Lion Rafale, a character from Sega's Virtua Fighter (series), uses Praying Mantis style. He was introduced in Virtua Fighter 2. It is also used by Kung Lao and Shujinko in the Mortal Kombat series. Wulong Goth, the leader of the evil "Black Mantis" sect, employs Praying Mantis in the game Tao Feng: Fist of the Lotus.
Southern Praying Mantis is a Chinese martial art native to the Hakka communities of Southern China. Despite having the name “Praying mantis”, this style is completely unrelated to the Northern Praying Mantis style. In terms of history and techniques, the Southern Praying Mantis is more closely associated with fellow Hakka styles such as the Dragon or Bak Mei and more distantly to the Fujian family of styles that includes Fujian White Crane , Five Ancestors , and Wing Chun . There are four main branches of Southern Praying Mantis being practised worldwide.
Southern Praying Mantis is a close range fighting system that places much emphasis on short power and has aspects of both internal and external techniques. In application, the emphasis is on hand and arm techniques and limited use of low kicks.
History
The four main branches of Southern Praying Mantis are:
Chow Gar
Chu Gar
Kwong Sai Jook Lum
Iron Ox
A common antecedent can be surmised from the same traditional region of origin, the popularity amongst the Hakka community, a reference to praying mantis, similar training forms such as Sarm Bo Jin and common application principles. However, despite those similarities, the genealogies of these branches are not complete enough to trace them to a single common ancestor. The relationship between Chow Gar [1] and Chu Gar can both be traced directly to Lau Shui. The origins of Kwong Sai Jook Lum system is controversial with some Chu Gar proponents claiming a relationship also to Lau Shui ; however, those claims have since been refuted. The Iron Ox system can be traced historically to the area of Southern China where the other branches of Southern Praying Mantis first originated and to the same Hakka communities where the art was transmitted. There are many other Southern styles such as Chuka Shaolin that uses similar technique but are not identified as being part of this group of martial arts according to their respective schools. Those styles can be identified as being Hakka Kuen.
Hakka Kuen
Kwong Sai Jook Lum tradition mentions that the people of Pearl River Delta once referred to the Southern Praying Mantis style as "Hakka Kuen", a term that was initially linked to the Southern martial arts practised by the Hakka community of inland eastern Guangdong and later applied to the skills that are practised by oversea Hakka communities. The reason for this was the close association of this style with the Hakka community.
This region, the original home to Southern Praying Mantis, covers a wide expanse in Southern China. It begins at the very heart of Hakka territory at Xingning, the home of Chow Gar founder Chow Ah-Nam. From Xingning, the Dongjiang flows west out of the prefecture of Meizhou through HohYuen, the place of origin for Iron Ox founder Choi Tit-Ngau. In the prefecture of Huizhou, the DongKwong forms the northern border of Huìyáng County, where Kwong Sai Jook Lum master Chung Yu-Chang and Chow/Chu Gar teacher Lau Shui grew up and established their martial arts reputation. From there, the Dongjiang flows into the Pearl River Delta at Bao'an County (present-day Shenzhen), where Kwong Sai Jook Lum masters Wong Yook-Gong and Lum Wing-Fay originated. These masters are all members of the Hakka community and the transmission of this remained within this community until the generation of Lau Shui and Lum Wing-Fay.
Praying Mantis
The association of the term "Praying Mantis" with the style is also controversial. Each branch of the style offers a different explanation.
The traditions of the Chow Gar and Kwong Sai Jook Lum branches each maintain that their respective founders Chow Ah-Nam and Som Dot created their styles after witnessing a praying mantis fight and defeat a bird. Such inspiration is a recurring motif in the Chinese martial arts and can be found in the legends of Northern Praying Mantis, both White Crane styles, T'ai Chi Ch'üan, and Wing Chun.
The traditions of the Chu family branch contend that the name "Southern Praying Mantis" was chosen to conceal from Qing forces its political affiliations by pretending that this esoteric style of Ming loyalists was in fact a regional variant of the popular and widespread Northern Praying Mantis style from Shandong.
The use of the term "Praying Mantis" seems appropriate when one considers the postures of well known practitioners of this style. The emphasis on the techniques of sticky hands, the use of the forearm with the elbows tucked into the chest, claw like fingers and quick explosive actions creates an image that are visually similar to a praying mantis preparing to strike its prey. [5] However, other martial artists argues that those techniques are more similar to the actions of the Five Ancestors style or the White Crane style then a praying mantis. Unlike the Northern Praying Mantis, which have a special hand technique that is directly attributed to a Praying Mantis strike, for example, the tángláng gōu, the Southern Praying Mantis do not have similar special hand techniques named after the mantis. The legacy of Lau Soei that is related to the praying mantis name was his famous staff form- the Tong Long Bo Sim Staff.
Lau Shui
Lau Shui was a Hakka who established a reputation as a martial artist during the turn of the century in Southern China and later as a martial arts teacher in Hong Kong. Lau Shui was known as the "Number one of the three tigers of Dong Jiang , the other two tigers being Lin Yao Kui of the Dragon Form Mo Chiao Style and Chang Li Chuan of the Bak Mei Style. He was also known as the tiger of Dong Jian . His signature techniques include the "Chaujia-Tanglang-Sanjian" (the three arrows of Chaujia praying mantis, and the staff form “Tanglang-puchangun” . Like many martial artists of his generation, he resettled in Hong Kong after the Chinese Civil war. He continued to teach the Southern Praying Mantis Style and many of his students eventually became teachers of this style. He was acknowledged by both the Chow Gar and the Chu Gar practitioners as the founding teacher of the system in the modern era.
Chow Gar
The Chow family branch traces its art to c. 1800 to Chow Ah-Nam , a Hakka who as a boy left his home in Guangdong Province for medical treatment at the Southern Shaolin Monastery in Fujian Province where, in addition to being treated for his stomach ailment, he was trained in the martial arts and eventually created Southern Praying Mantis. His student was Wong Fook Go who was one of the teacher of Lau Shui.
The continued popularity of modern Chow Gar is due to the work of Ip Shui, a student of Lau Shui. He promoted the style within Hong Kong and later, to England and Australia.
Chu Gar
The Chu family branch attributes its art to Chu Fook-To, who created Southern Praying Mantis as a fighting style for opponents of the Manchu Qing Dynasty (1644–1912) that overthrew the Han Chinese Ming royal family (1368–1644). According to the Chu family branch, Chu was a member of the Ming Royal family who took refuge at Shaolin Monastery in Henan. After the destruction of the Northern Shaolin Monastery, Chu escaped to the Southern Shaolin Monastery in Fujian. He then promoted his art in the surrounding regions.
Current students of Chu Gar are related to the students of Lau Shui. Those students continued the tradition of his school in Hong Kong after he passed away in 1942. Chu Gar can be found in China, Hong Kong, Australia, and United States.
Kwong Sai Jook Lum
According to oral traditions, the Kwong Sai Jook Lum style traces its origins to the temple Jook Lum Gee, Wu Tai Shan in Shanxi province and on Mt. Longhu in Jiangxi province . The monk, Som Dot , created this new martial art system in the 18th century. He passed the art on to Lee Kun Ching , later known as Lee Siem See; a name that can be translated as "Zen master Lee" and Wong Do Leng ; a name that can be translated as "Taoist Wong"). Lee Siem See would travel to Southern China and spread the art amongst the general population. In Guangdong, his student, Cheung Yiu Chung , would later return with him to Kwong Sai to complete his training at Jook Lum Gee.
In 1919, Cheung returned to resided in Wei Yang Xian (Wei Yang County) Dan Shui in Guangdong Province. During the winter of 1929, Cheung opened his first martial arts school and a traditional Chinese medicine clinic in Bao'an County in Pingshan Town and continued to promote the Jook Lum system. Wong Yook-Kong and Lum Wing-Fay (1910 - 1992; also known as Lum Sang (Lum Sang can be translated as Mr. Lum ) and Lee Shen Sheng are some of his students from that period.
Cheung eventually moved to Hong Kong. He opened a martial arts studio and became the head teacher to the Hong Kong Hakka ship and dock workers union. The classes in Hong Kong was taught by Wong Yook-Kong and this school still exist today. Wong Yook-Kong was described as a large man and in training he placed great emphasis on strength and physical conditioning before moving onto the more internal aspects of the style. One of his favorite training method was to practise with 30 to 60 LB iron rings on his wrist while he perform his forms. As a result, his students also emphasis those aspects in their training. The lineage of Wong Yook Kong is continued by his two sons: Wong Yiu Hung and Wong Yiu Hwa and other students such as Lee Kwok Leung.
In the 1920s Lum Sang, one of the youngest of Cheung's students in Hong Kong, was fortunately enough to meet and studied with Lee Siem See during one of Lee Siem See's trips to Hong Kong to establish a Buddhist temple (Chuk Lam Sim Yuen).Lum studied and traveled with Lee for the next seven years. In the 1930s, Lum returned to Hong Kong and opened a Kwong Sai Jook Lum Temple Tong Long Pai school in Kowloon. Lum Wing Fay was described as being small in statue being only 5'2 and 120 lbs. In practised, he placed emphasis on softness and redirection and his students continue to display those traits. In 1942, Lum Sang emigrated to the United States and settled in the Chinatown of New York city. He started teaching in Chinatown's Hakka Association, the New York Hip Sing Tong at Pell Street. In the late 1950's, he taught at Free Mason Association Athletic Club, also know as Hung Ching. By 1963, his Kwong-Sai Jook Lum Gee Tong Long Pai was one of the largest kung fu school. In 1969, Lam Sang retired from teaching and migrated to Taiwan. Lam Sang passed away in 1991. His students such as Harry Sun, Wong Buk Lam, Gin Foon-Mark, Henry Poo Yee and Louie Jack Man would established themselves as teachers and promote this art in the United States and around the world.
Lee Shen Sheng originally trained in Chu Gar before becoming a student of Cheung Yiu Chung. He left Hong Kong in the 1940's but continue to teach his style under the name Lee Family Tong Lang. Some of his students can now be found in Liverpool, England.
Iron Ox
The Iron Ox branch is named after its founder, Iron Ox Choi. A nickname he earned for his strength and ability to withstand his opponent's strikes. He was also known to have taken part in the Boxer Rebellion (1900) fighting against the Ching government to restore the Ming government.
Ho Kung Wah introduced the style to the United Kingdom in the 1960's. Most practitioners of this branch of Southern Praying Mantis are found in Southern China but there are now promoters of this style in South America, Europe , Canada and Australia.
Characteristics and Training
Like other Southern Chinese martial arts, Southern Praying Mantis is characterised by a strong stance, powerful waist and fast, heavy forearms and quick hand movements. The essences of the style is captured in various poetry and mnemonic aids.
Training includes a variety of solo forms, pair practise, and weapon practise. The name and type of form will vary between branches. In the Australian version of Chow Gar Tong Long under the direction of Henry Sue, the form structures are as follows:
Sarm Bo Gin
Sarm Bo Yil Sou
Sarm kung Bic Kuiel
Sarm Bo Pai Tarn
Tong Long Bow Sim Sou
Tong Long Won Sou
Sarm Bo Gin is considered one of the most important forms of the southern mantis system. It is a hard chi gung form and is usually the first to be learned. It strengthens the body, aiding its resistance to physical blows, and also develops power. The form should be done everyday, preferably early morning. ( kung fu. Travel 2 China Info. COM: We provide info about china vacations attractions, shaolin monks, kung fu video, mantis kung fu, kung fu martial arts )
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